Since I'd only recently joined my local RWA® chapter, I had no idea what a Golden Heart® (or a Rita®, for that matter) even was. Sarah explained that the GH is RWA's® top award for unpublished fiction. I immediately began dreaming of someday being a finalist.
To see how that turned out, go here. So, thanks for that, Sarah!
Sarah's books, including her most recent, Capturing the Queen, are available on Amazon.
Question 1: Your books are very dark. What draws you to the darker side of human nature?
I'm fascinated you used the descriptor 'dark.' My earliest craft memories are sitting through a Donald Maass course at my Houston chapter meeting in 2006 and not knowing who he was or a lot of the craft lingo he was using, but knowing from the awed expressions on my chapter-mates' faces that he was "The Authority" on all things writing. So when he preached his trilogy of 'tension on every page' 'make things worse' and 'no backstory until way into your novel' I was profoundly shaped by that.
I'm also hyper aware that the modern-day attention
span is critically short so I write with the drumming thought of: how can I get
the reader to turn this page? What else should go wrong? And then I
write it.
If you read my books in order you'll see the first is
mostly a plot-driven approach to what can go wrong for my characters. Part
of my growth was realizing (through critiques, edits and me devouring my
favorite author, Kristan Higgins' books) that I lacked the ability to pull my
readers' emotional strings. Subsequently each novel is still a race to survive
and time-driven suspense, but it's more of a character study of what is going
on inside my characters' heads as they face each obstacle. I'm fascinated by
all that we humans hide inside, the effort it takes to keep our masks in place
to the outer world, the misconceptions we have over events and other
people's behaviors that then motivates us to react and often make things worse.
So, where you say dark, I think of as real.
I am confident I'm on the right path with this emotional
exploration because every time I release another book the feedback is: this
is your best one yet.
Question 2: On Amazon, your publishers are listed as Entangled (for Locked, Loaded and Lying) and Beach Reads. Please contrast your experiences with these two publishers.
I
waited 9 years for a publishing contract—I am the poster child for
patience and perseverance! It was important for me to have a publishing company
'legitimize' my writing by offering me a contract which is why I waited so long
instead of taking the self publishing route. The best part of publishing with
Entangled in 2015 was I finally met my goal and I also worked with the
editor of my dreams, Anya Kagan of Touchstone Editing. I've been with
her for all my books because she freelances.
The
hardest part of being under contract though, was the lack of control over
basically everything. The publishing date, the cover, the price, when it goes
on sale and for how long, what marketing is or is not being done... someone was
calling the shots on every detail of my career.
Since
I'd only signed a one-book contract, after LLL came out I figured I'd see what
self-pub was all about. I took online classes, gathered resources and re-worked
the 2014 Golden Heart® novel into Tall, Dark and
Damaged. I'm thrilled to say it was a great experience all around,
ending with me garnering the Rita® call this year!
One
thing the online self-pub courses recommend is establishing your own 'company'
name, maybe an LLC if it works for you. Ergo, I titled my self-pub endeavor
Beach Reads—because that's what I consider my romantic suspense novels to be:
the perfect poolside/beach read.
The
difference between being under contract and self-pubbing is vast. I really love
being the boss of everything. I also like getting paid more per book (wink!)
Editing is still the same (Anya) and I hire 2 copy editors, a proofreader and
several betas in my neurosis over not uploading the final novel with a careless plot, or grammar or spelling errors. It's a lot of upfront costs, but I
doubt I'll be able to go the traditional route ever again. The freedom to call
all the shots is everything to me.
Question 3: According to your website, you started your first book on a plane to Italy. Tell us about the trip--any praying or loving?
For
my 40th BD my husband gave me a 'let's go anywhere-do anything' present. Faced
with that it literally took me 2 years to decide, 'cuz you don't want to screw
that up, LOL! Seriously, dear reader, where would you go on your
trip-of-a-lifetime?!...Climb Kilimanjaro? Go on a spa retreat to Canyon Ranch?
Binge-shop through Paris?
Well,
the idea that sparked something in my heart was attending a week-long cooking
class at a small Tuscan vineyard. This was June, 2004. I'd never been to Italy,
and cannot truthfully say it was a country I'd yearned to see before deciding
on that trip. But something about the write-up sounded so relaxing, adventurous
and romantic! Kind of hit all needs, you know?
I
swear there is something in the air there that ignites creativity and passion.
I was literally on the flight over when, without a conscious thought of doing
so, I opened a notebook and began writing the first page of the first story
after years and years of ignoring my calling. The words poured out day and
night. I wrote 50 pages by the time those 2 weeks were through. Long hand,
stream of conscious sentences, the content very obviously a pantser romance.
(Much to my shock. I'd stopped reading romance as a teen at camp.)
During
the Tuscan cooking class (comprised of 11 Americans- 5 couples and a single
woman) I became fast friends with the single woman, Jeannie. She was hilarious,
larger than life and embraced adventures. After the trip was over we called
each other almost daily and our biggest bond was missing that villa and that
lifestyle. Missing the free personalities we'd been over there—fearless,
joyful, creative. She was in awe that I could write, I was in awe that she had
fantastical plotting skills. During one phone call we both came up with the
idea to take a leave of absence from our jobs, go back to that villa and write
an entire novel. And a few weeks later we did. (God bless my husband, who
didn't blink at an eye at my abrupt and very obvious midlife crisis!)
Jeannie
and I stayed in Tuscany for 6 weeks. Oh, the hilarious escapades! She ended
up having an affair with the hottie vineyard owner, I ended up writing the
novel, which was dreadful craft, a training novel—there's no other way to
describe it.
Each
week a new set of Americans arrived to take the villa's cooking class and were
told by the Italian staff that 2 American women were writing a novel about
their adventures in Italy. (Each week our fame grew.) We would attend the
villa's weekly cocktail reception as 'the famous authors.' We told everyone
about our plot: a single woman with a broken heart coming to Italy and finding
herself again through her Italian adventures with the men, the food, the
countryside. The reaction was ecstatic interest from everyone who heard it.
No joke—Eat, Pray, Love came out the next year!
I will always wonder if the author was one of those cooking class participants
listening to us blather on about the plot. :)
Long
story short, we do not regret one second of those 6 weeks, but Jeannie ended up
with a broken heart and I ended up missing my hubby and pups to distraction. I
came home with a completed novel and a passion to write that I could no longer
deny. I gave her that story as a keepsake of our time there and went back to
the one I'd started on the plane ride earlier that summer. It's also a training
novel—under my bed and will stay there—but it's still my husband's favorite,
isn't that funny?
Sarah Andre is a 2017 RITA® finalist, which is
Romance Writers of America highest award of distinction. She lives in serene
Southwest FL with her husband and two naughty Pomeranians. When she’s not
writing romantic suspense novels, Sarah is either reading novels, exercising to
rude alternative rock music or coloring. Yes, you heard right. She’s all over
those coloring books for adults.
I'm glad you are doing these interviews. It is interesting and instructive to hear how writers feel about their writing.
ReplyDeleteThanks for having me today, Jeanne!
ReplyDeleteYou interview as well as you write. Enjoyed your responses almost as much as your books. They are awesome.
ReplyDeleteGreat interview, Sarah! A Tuscan cooking class in a villa is definitely on my bucket list! And yours was extra fruitful. Congratulations on following your calling and on the RITA nod!
ReplyDeleteWhat a fabulous interview! I'm so curious to know if your friendship lasted--and if your friend is still writing books!
ReplyDeleteGreat job both of you! I really loved this interview-- what a great story about your Tuscany adventure, Sarah! :)
ReplyDeleteSarah, that story about your first book! Just...<3 <3 <3
ReplyDeleteGreat post, ladies! I loved reading the comparison of your traditional and self-published experiences. Thanks for sharing! XO
ReplyDeleteWhat a great interview, ladies! Sarah, I love the story of your first novel and what really started getting you writing again. And I also like how you’ve been on a journey to deepen your characterization. Clearly it’s working well for you. :) Wishing you all the best.
ReplyDeleteThat trip sounds awesome! not to mention writing a novel after.
ReplyDelete